<?xml version="1.0" encoding="UTF-8" ?> <?xml-stylesheet type="text/xsl" href="rss.xsl"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"> <channel> <title>FontLab Blog</title><description>News, technical writing, and updates from FontLab.</description><link>https://blog.fontlab.com/</link><atom:link href="https://blog.fontlab.com/feed_rss_updated.xml" rel="self" type="application/rss+xml" /> <managingEditor>Fontlab Ltd.</managingEditor><language>en</language> <pubDate>Fri, 08 May 2026 13:20:59 -0000</pubDate> <lastBuildDate>Fri, 08 May 2026 13:20:59 -0000</lastBuildDate> <ttl>1440</ttl> <generator>MkDocs RSS plugin - v1.19.0</generator> <image> <url>https://i.fontlab.com/menu/fontlab-logo.svg</url> <title>FontLab Blog</title> <link>https://blog.fontlab.com/</link> </image> <item> <title>Five centuries of line — Dürer, Hogarth, Bewick, Doré</title> <author>Vexy Lines</author> <category>engraving</category> <category>history</category> <category>illustration</category> <category>vexy-lines</category> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/five-centuries-of-line-3.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;A line can carry tone, texture, shadow, and emotion — and never once pretend to be a photograph. That is the whole argument of five centuries of printmaking, made with a burin, a graver, and eventually a stylus.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2026/03/26/five-centuries-of-line/</link> <pubDate>Fri, 08 May 2026 13:54:37 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2026/03/26/five-centuries-of-line/</guid> </item> <item> <title>Calfonts: italics that aren’t just slanted romans</title> <author>FontLab</author> <category>cursive</category> <category>drawing</category> <category>fontlab-8</category> <category>italic</category> <category>slant</category> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/calfonts-italics-2.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;Italics are the part of a font family that most often gets shipped wrong — slanted romans, no cursive structure, lopsided ovals. The Calfonts italic tutorial walks through what it actually takes to draw an italic that earns its place next to the roman.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2025/12/02/calfonts-italics/</link> <pubDate>Fri, 08 May 2026 13:14:13 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2025/12/02/calfonts-italics/</guid> </item> <item> <title>Briem: how to draw an italic (and why the slanted-roman trap is real)</title> <author>FontLab</author> <category>cursive</category> <category>drawing</category> <category>italic</category> <category>slant</category> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/briem-drawing-italic-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;Italic is not roman tilted to the right. Slant your upright &lt;code&gt;a&lt;/code&gt; and what you get is a tilted &lt;code&gt;a&lt;/code&gt;, not an italic &lt;code&gt;a&lt;/code&gt; — the structure is wrong, the rhythm is wrong, the connection points are wrong.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2025/10/07/briem-drawing-italic/</link> <pubDate>Fri, 08 May 2026 13:09:20 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2025/10/07/briem-drawing-italic/</guid> </item> <item> <title>Color fonts: the next big thing? A FontLab tutorial</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/color-fonts-tutorial-3.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;Back in 2014, color fonts were a brand new frontier. This 103-minute tutorial with Adam Twardoch was one of the first deep dives into how to actually make them.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2014/06/18/color-fonts-tutorial/</link> <pubDate>Fri, 08 May 2026 13:08:42 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2014/06/18/color-fonts-tutorial/</guid> </item> <item> <title>Basics of Python scripting in FontLab Studio 5</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/python-scripting-fontlab-studio-5-3.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;Automation unlocks the real power of a professional font editor. In this 70-minute tutorial, Adam Twardoch introduces Python scripting inside FontLab Studio 5.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2015/02/25/python-scripting-fontlab-studio-5/</link> <pubDate>Fri, 08 May 2026 13:08:42 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2015/02/25/python-scripting-fontlab-studio-5/</guid> </item> <item> <title>How to space a font</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/how-to-space-a-font-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;Spacing is where type design lives or dies. In this 53-minute tutorial, Thomas Phinney walks through sidebearings, optical principles, and the practical workflow inside FontLab Studio 5.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2015/11/13/how-to-space-a-font/</link> <pubDate>Fri, 08 May 2026 13:08:42 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2015/11/13/how-to-space-a-font/</guid> </item> <item> <title>FontLab VI 6.1: components, sidebar filters, and metrics expressions</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-vi-61-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;FontLab VI 6.1 arrived in October 2018. It added standards-compliant components, a Font window sidebar for glyph filtering, and linked metrics expressions.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2018/10/25/fontlab-vi-61/</link> <pubDate>Fri, 08 May 2026 13:08:42 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2018/10/25/fontlab-vi-61/</guid> </item> <item> <title>Introducing FontLab 7: the pro font editor, evolved</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/introducing-fontlab-7-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;FontLab 7 is a major upgrade to FontLab VI, arriving after a summer and autumn of concentrated work, with more than 250 new features, fixes, and improvements.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2019/11/30/introducing-fontlab-7-the-pro-font-editor-evolved/</link> <pubDate>Fri, 08 May 2026 13:08:42 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2019/11/30/introducing-fontlab-7-the-pro-font-editor-evolved/</guid> </item> <item> <title>Bézier and de Casteljau: two engineers, one beautiful curve</title> <author>FontLab</author> <category>bezier</category> <category>fontlab-8</category> <category>geometry</category> <category>history</category> <category>opentype</category> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/bezier-vs-de-casteljau-1.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;In 1958, Paul de Casteljau at Citroën worked out the mathematics of the curves we now draw with every day. A few years later Pierre Bézier at Renault arrived at the same idea independently and published it in 1962.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2025/07/01/bezier-vs-de-casteljau/</link> <pubDate>Fri, 08 May 2026 13:08:42 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2025/07/01/bezier-vs-de-casteljau/</guid> </item> <item> <title>FontLab Studio 5 and the Fontographer acquisition</title> <author>FontLab</author> <author>Fontographer</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-studio-5-opentype-standard-2.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;2005 was a pivotal year for Fontlab Ltd. The company shipped FontLab Studio 5, which became the dominant professional font editor for the next decade. FontLab also acquired Fontographer from Macromedia, reviving a tool that had been dormant since the mid-1990s.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2005/06/15/fontlab-studio-5-opentype-standard/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2005/06/15/fontlab-studio-5-opentype-standard/</guid> </item> <item> <title>TransType 4 for Mac and Windows</title> <author>TransType</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/transtype-4-2.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;TransType 4 arrived in December 2013 as a complete rewrite of our font conversion app. It added multi-color OpenType output and web font export to its core toolkit.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2013/12/15/transtype-4/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2013/12/15/transtype-4/</guid> </item> <item> <title>FontLab Studio 5.2.1 for Windows</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-studio-521-windows-1.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;FontLab Studio 5.2.1 for Windows shipped in December 2013. It builds on the 5.2 foundation with new tools and hundreds of bug fixes.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2013/12/20/fontlab-studio-521-windows/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2013/12/20/fontlab-studio-521-windows/</guid> </item> <item> <title>Matthew Carter webinar</title> <author>Adam Twardoch</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/matthew-carter-webinar-3.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;In February 2014, FontLab hosted a live webinar with Matthew Carter, a key figure in digital type design.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2014/02/15/matthew-carter-webinar/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2014/02/15/matthew-carter-webinar/</guid> </item> <item> <title>Brush Romans webinar with John Downer and Paul Herrera</title> <author>Adam Twardoch</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/brush-romans-webinar-3.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;On March 11, 2014, FontLab hosted a webinar on Roman capital letterforms and their origins in flat-brush writing. Sign painter and type designer John Downer presented alongside calligrapher Paul Herrera.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2014/03/15/brush-romans-webinar/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2014/03/15/brush-romans-webinar/</guid> </item> <item> <title>DTL OTMaster 5.0, vfb2ufo, and FontLab Pad 1.1</title> <author>FontLab Pad</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/otmaster-5-vfb2ufo-fontlab-pad-11-3.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;December 2014 brought a major update to DTL OTMaster, plus two new free tools. We released a command-line UFO converter and an updated color font typesetter.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2014/12/15/otmaster-5-vfb2ufo-fontlab-pad-11/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2014/12/15/otmaster-5-vfb2ufo-fontlab-pad-11/</guid> </item> <item> <title>FontLab VI is here</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-vi-released-1.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;FontLab Studio 5 was a workhorse. It shipped in 2004 and carried a generation of type designers through the OpenType transition. The app aged gracefully, right up until it didn’t. On 7 December 2017, we replaced it.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2017/12/07/fontlab-vi-released/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2017/12/07/fontlab-vi-released/</guid> </item> <item> <title>DTL OTMaster 7.9 available now</title> <author>Adam Twardoch</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/dtl-otmaster-7-9-available-3.png&#34;&gt;{.illu-thumb}&lt;/p&gt; &lt;p&gt;DTL OTMaster 7.9 adds support for variable OpenType fonts. This includes the &lt;code&gt;fvar&lt;/code&gt;, &lt;code&gt;gvar&lt;/code&gt;, &lt;code&gt;CFF2&lt;/code&gt;, &lt;code&gt;STAT&lt;/code&gt;, &lt;code&gt;HVAR&lt;/code&gt;, and &lt;code&gt;MVAR&lt;/code&gt; tables. It includes a new Proofing Tool for printing and exporting PDF specimens, and a Side-by-Side Viewer that shows variation instances.&lt;/p&gt; &lt;p&gt;Available for macOS, Windows, and Linux. A full license is US$228. Upgrades from previous versions are US$57.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2018/11/22/dtl-otmaster-79-available-now/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2018/11/22/dtl-otmaster-79-available-now/</guid> </item> <item> <title>FontLab VI: 12 releases in 12 months</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-vi-12-releases-in-12-months-3.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;FontLab VI 6.1.2 shipped today. That made twelve updates in twelve months after the first public version of our new font editor.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2018/12/21/fontlab-vi-12-releases-in-12-months/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2018/12/21/fontlab-vi-12-releases-in-12-months/</guid> </item> <item> <title>Design space axes and multiple masters in FontLab VI</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/design-space-axes-multiple-masters-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;Variable fonts force you to think in multiple dimensions at once. This four-minute video shows exactly how to set up a design space with axes and masters in FontLab VI. It gives you a concise, visual introduction to the core concepts behind variable font production.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2019/01/24/design-space-axes-multiple-masters/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2019/01/24/design-space-axes-multiple-masters/</guid> </item> <item> <title>From sketch to font in minutes with built-in ScanFont</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/sketch-to-font-scanfont-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;This two-minute demo of the built-in ScanFont feature has over 40,000 views. It earns that attention by showing something genuinely useful in record time. You scan or photograph hand-drawn letterforms, paste them into FontLab, and the software traces them into editable outlines.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2019/01/24/sketch-to-font-scanfont/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2019/01/24/sketch-to-font-scanfont/</guid> </item> <item> <title>FontLab Studio 5, Fontographer 5 and TypeTool 3 on macOS 10.15 Catalina</title> <author>FontLab</author> <author>TypeTool</author> <author>Fontographer</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fls5-fog5-tt3-macos-catalina-1.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;macOS 10.15 Catalina drops all 32-bit app support, which means FontLab Studio 5, Fontographer 5, TypeTool 3, and BitFonter 3 for Mac will not run on it — and porting them to 64-bit is not feasible. If you are on Catalina, your options are CrossOver Mac 19 (run the Windows versions via a thin emulation layer), a virtual machine running an older macOS or Windows, or upgrading to the 64-bit FontLab 7.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2019/10/08/fontlab-studio-5-fontographer-5-and-typetool-3-on-macos-1015-catalina/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2019/10/08/fontlab-studio-5-fontographer-5-and-typetool-3-on-macos-1015-catalina/</guid> </item> <item> <title>FontLab 7.1: ink traps, harmonized handles, and quick measurement</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-71-3.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;FontLab 7.1 landed in March 2020 as a free update to all &lt;a href=&#34;2019-11-30-introducing-fontlab-7.md&#34;&gt;FontLab 7&lt;/a&gt; users, delivering over 70 new and improved features and 80 fixes across five point releases between March and August 2020. The headline additions — ink traps, harmonized handles, looped corners, and quick measurement — gave designers finer control over node behavior and optical geometry than any prior version.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2020/03/02/fontlab-71/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2020/03/02/fontlab-71/</guid> </item> <item> <title>Say hello to FontLab 7.2</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-72-dec-2020-1.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;FontLab 7.2 is a free update with 120 new or improved features. The headline: interpolation now runs 30× faster. New tools include Rotate, Scale, and Slant; an adaptive freeform grid with Suggest Distance; variable and attached components; visual OpenType feature proofing; and Microsoft VOLT integration. Existing FontLab 7 users get it free; FontLab VI users can upgrade for $99.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2020/11/30/say-hello-to-fontlab-72/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2020/11/30/say-hello-to-fontlab-72/</guid> </item> <item> <title>Import artwork into FontLab 7</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/import-artwork-fontlab-7-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;Most type designers don’t draw directly in the font editor — they sketch in pencil, refine in Illustrator or Affinity Designer, then need to get that artwork into FontLab cleanly. This eight-minute video from Dave Lawrence’s FontLab 7 series shows exactly how.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2020/12/11/import-artwork-fontlab-7/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2020/12/11/import-artwork-fontlab-7/</guid> </item> <item> <title>Basics of spacing in FontLab 7</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/basics-of-spacing-fontlab-7-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;Spacing is the invisible work that determines whether a font feels effortless or labored to read. This five-minute tutorial from Dave Lawrence’s FontLab 7 series strips the topic down to its essentials: what sidebearings are, how to set them in the metrics window, and how to evaluate spacing visually as you work.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2020/12/16/basics-of-spacing-fontlab-7/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2020/12/16/basics-of-spacing-fontlab-7/</guid> </item> <item> <title>FontLab 7: a year in updates</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-7-year-in-review-1.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;FontLab 7 launched in December 2019 with over 250 new features. Twelve months later, it has rather more than that. Here is what the 2020 update cycle actually delivered — not counting FontLab 7.2, which has &lt;a href=&#34;2020-11-30-fontlab-72-dec-2020.md&#34;&gt;its own post&lt;/a&gt;.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2020/12/30/fontlab-7-year-in-review/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2020/12/30/fontlab-7-year-in-review/</guid> </item> <item> <title>Make your variable fonts better with FontLab 7</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/make-variable-fonts-better-fontlab-7-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;This 19-minute presentation by Adam Twardoch, delivered at ATypI Tech Talks 2021, goes beyond building variable fonts to the harder question: making them good. It covers quality assurance, interpolation checking, and the tools in FontLab 7 and related applications that help catch problems before a variable font ships.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2021/05/27/make-variable-fonts-better-fontlab-7/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2021/05/27/make-variable-fonts-better-fontlab-7/</guid> </item> <item> <title>Rescue your PostScript Type 1 fonts</title> <author>TransType</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/rescue-postscript-type1-transtype-1.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;PostScript Type 1 fonts are on their way out. Adobe is ending Type 1 support in Creative Cloud applications in early 2023, and Apple has signalled the same direction in macOS. If you have a library of Type 1 fonts — and many working designers do — now is the time to convert them to OpenType.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2021/09/15/rescue-postscript-type1-transtype/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2021/09/15/rescue-postscript-type1-transtype/</guid> </item> <item> <title>FontLab 7.2.0.7644 and macOS 12.3 Monterey</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-7-2-0-7649-and-macos-12-3-monterey-1.png&#34;&gt;{.illu-thumb }&lt;/p&gt; &lt;p&gt;Apple’s macOS 12.3 Monterey update broke all previous versions of FontLab 7 by removing the system Python 2.7 that FontLab depended on. FontLab 7.2.0.7644 is a free patch that restores compatibility — macOS 12.3 users need to install a bundled Python 2.7 package alongside the app. A buggy intermediate build (7650) that made glyph fills transparent was withdrawn; 7644 does not have that problem.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2022/03/22/fontlab-7207644-and-macos-123-monterey/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2022/03/22/fontlab-7207644-and-macos-123-monterey/</guid> </item> <item> <title>Hello, FontLab 8</title> <author>FontLab</author> <description>&lt;p&gt;&lt;img alt=&#34;&#34; src=&#34;../media/illu/fontlab-8-released-1.png&#34;&gt;{.illu-thumb .illu-index}&lt;/p&gt; &lt;p&gt;Two years into FontLab 7, users had a clear message: the drawing engine is excellent, the variable font support is solid, now make the rest of the application match. FontLab 8, shipping today, is our answer.&lt;/p&gt;</description> <link>https://blog.fontlab.com/2022/06/26/fontlab-8-released/</link> <pubDate>Fri, 08 May 2026 13:04:56 +0000</pubDate> <source url="https://blog.fontlab.com/feed_rss_updated.xml">FontLab Blog</source><guid isPermaLink="true">https://blog.fontlab.com/2022/06/26/fontlab-8-released/</guid> </item> </channel> </rss>