Say hello to FontLab 7.2!

We have just released FontLab 7.2, a significant update for macOS & Windows, and the best font editor we’ve ever made!

FontLab 7.2 boasts 120 new or improved features: • New Rotate, Scale and Slant tools • Adaptive freeform grid with Suggest distance • Per-font rounded or fractional coordinates • Flexible dynamic instance and 30× faster interpolation • Powerful attached and variable components • Visual proofing and better editing of features • Microsoft VOLT integration • Font window filtering by color flag and glyph name suffix • Better UFO 3 and .glyphs 2 and 3 interchange • 80 fixes.

FontLab 7.2 is free for existing FontLab 7 users, and $99 for FontLab VI users. If you already have FontLab 7, use Preferences › General › Check now to update.

If you don’t have FontLab 7 yet, get a fully-functional 30-day trial from our website — but remember, the sale ends on Sunday, 6 December 2020!

Below are selected highlights from FontLab 7.2. Click the button above to read the full story!

In FontLab 7.2, interpolation works 30× faster than in previous versions, so you can preview variation animation in Preview panel and Glyph window. In Preview panel, you can also preview interpolation steps between any two instances.

If Preferences › Variations › Show instance layer is on, the Layers & Masters panel shows an instance layer in all variable glyphs. The instance layer corresponds to the dynamic instance selected in the Variations panel.

In the Font window, when you make the instance layer current, and you then choose a dynamic instance in the Variations panel, you will see that instance in all glyph cells.

In the Glyph window: When you make the instance layer current and use the Variations panel to choose a dynamic instance, then you can see the detailed view of that instance in the Glyph window. You can even use the Play buttons to animate the variations along the axes, and watch the Glyph or Font window update.

In FontLab, a component typically points to a different glyph in the same layer, but it can also point to a glyph in a different layer, or to a dynamically interpolated instance.

When you open the Elements panel, turn on Show/hide element properties at the top, and click Expand properties (^), the panel shows the Base layer name field. In this field, you can enter a different layer name, or you can click the Select component instance to open a widget with variation sliders.

To assemble glyphs from existing glyphs, you can use components. If a component is attached, it automatically snaps to the location determined by the corresponding anchors. You cannot manually move an attached component but you can scale, rotate, slant or interpolate it. To move an attached component, move the anchors that determine its position.

With attached components, you can use the benefits of anchor-based placement of components, while you’re flexible in editing the metrics, and you can mix contours with components. To attach a component, select it in the Glyph window and turn on Element › Attached, or toggle the “paper clip” icon in the Glyph window property bar, or click in the Attached component column in the Elements panel.

When you turn on View › Suggest › Distance, and you drag a node, handle, selection or anchor, FontLab now draws a temporary suggested outline at the distance defined in Font Info › Other Values › Contour properties › Suggest distance. This is like having a freeform grid that adapts to your current drawing.

You can define separate horizontal (x) and vertical (y) distances, separately for each master. Use Suggest Distance to position anchors at a specified distance from existing contours, or to transform the existing drawing.

In FontLab 7.2, we have revamped the quick transform tools: Rotate, Scale and Slant. They work better, and you can access them from the toolbar.

In FontLab 7, you can use the Font window search box (at the top right) to find glyphs by glyph name, Unicode character name, script, Unicode codepoints, Unicode range, codepage or installed encoding. The search results create an ad-hoc filter.

Drag a remembered search to the Bookmarks section to use the filter in future. This is a very fast alternative to creating encoding filters. The bookmarked searches are stored in your preferences. To remove a bookmarked search, click it and click the – button at the bottom. In FontLab 7.2, you can double-click a bookmarked search and give it a custom name.

The Glyph window in FontLab 7 is a text editor in which you can edit the glyphs. By default, it’s single-line. You can make manual wraps with Enter, or switch to Auto wrap. When you Apply the text wrap in Glyph window, you can switch masters and instances without reflow of longer texts.

Introducing FontLab 7: The pro font editor, evolved.

FontLab 7 is a major upgrade to FontLab VI. FontLab VI was long in the making. We shipped the first public preview version in 2015, premiered the app in 2017, and we tirelessly kept making it better. You’ve seen some of these improvements in the free updates that we have published since the premiere. But we’ve also been working on a more comprehensive upgrade. So after a super-busy summer and autumn, we’re proud to present FontLab 7, the follow-up to FontLab VI!

Until December 22, 2019, you can buy FontLab 7 or upgrade from FontLab Studio 5, Fontographer or TypeTool 3 at a 25% discount. If you have FontLab VI, you can upgrade to 7 for just $99, and if you bought FontLab VI on August 1 or later, or if you have a full educational license for FontLab VI — the upgrade is free! See below for details.

Auto OpenType features • Equalize uneven stems • Edit all masters • Precision dragging • View centerline & thickness • Batch glyph renaming • Conditional glyphs • Both-sided kerning classes • Fix kerning clashes • VF intermediate masters • Parametric GPOSPDFJSONCFF2STAT • Quick Help • 250+ features & fixes

We’ve learned a lot from you in the last four years. So FontLab 7 focuses on stability, productivity and technical excellence. We’ve incorporated countless user requests, and we’ve implemented some of our ideas that didn’t make it into the previous release. FontLab 7 brings more than 250 new features, fixes and improvements!

With FontLab 7, you can edit curves precisely without zooming, improve consistency of the weight (thickness measurement, equalize uneven stems), quickly create kerning classes (now also both-sided) and fix clashing kerning combinations. FontLab 7 fully supports variable fonts. You can open and export both CFF2- and TrueType VFs, with intermediate glyph masters and conditional glyph substitution, avar axis mapping and STAT axis instances. You can view multiple masters at the same time (as overlaid wireframes, and as cousins on the sides), and edit them (Edit across Layers, Match when Editing).

FontLab 7 now understands glyph naming from other font editors, and can automatically generate OpenType features based on different glyph naming schemes (it’s easy to batch-rename glyphs, too!). When you run FontLab 7, hold F1 over a user interface element, and let the new Quick Help tell you more about it. Built on a solid 64-bit foundation, FontLab 7 runs smoothly on macOS Catalina, on Windows 10, on older systems, and even on Linux with Wine!

Download 30-day trial

We’d love to know what you think about the new FontLab 7. So go ahead and download the 30-day trial version, which you can run side-by-side with your existing FontLab VI.


Buy FontLab 7

Upgrade from FontLab VI

$99 or free!

Download, install and run the FontLab 7 30-day trial version. The app is fully functional, so start working in the trial mode right away. You can install and use FontLab 7 parallel to FontLab VI, but when you save VFC/VFJ in FontLab 7, you won’t be able to open them correctly in FontLab VI.

Upgrade to FontLab 7 for free

If you bought FontLab VI on August 1, 2019 or later, or if you bought an full educational FontLab VI license in the last two years, you qualify for a free upgrade to FontLab 7!

If you bought FontLab VI on store​.fontlab​.com (after August 1 or educational), we will send you your free FontLab 7 serial number per e‑mail. Please wait a few days, but you can already download and run the 30-day trial. If your serial number does not arrive within a week, check your spam folder.

If you haven’t received your serial number per e‑mail in a few days, or if you bought FontLab VI through a distributor after August 1, visit our store and “buy” the “FontLab 7 for Mac & Win (FREE upgrade if you bought FontLab VI after Aug 1, 2019)” product (it’s free, you don’t need to pay). Enter your FontLab VI serial number (FL60…) in the Add Comments section of Step 5 of Checkout. We will verify your order and will send you the serial number in a day or two.

If you bought a FontLab VI school lab license, please contact orders@​fontlab.​com and we’ll issue you free upgrades for your lab.

Upgrade to FontLab 7 for just $99

If you bought a FontLab VI full license or a paid upgrade before August 1, 2019, or if you received your FontLab VI license through the free upgrade program from FontLab Studio 5 — upgrade to FontLab 7 for just US$99, the cost of a small font family.

Upgrade to FontLab 7 from FontLab Studio 5, from Fontographer and from TypeTool 3

25% off until December 22!

  • Upgrade from FontLab Studio 5 for just $149 (later $199)
  • Upgrade from Fontographer for just $172 (later $229)
  • Upgrade from TypeTool 3 for just $299 (later $415)

Buy FontLab 7

Just $345 until December 22!

If you’re a first-time user of our font editors, hurry — buy FontLab 7 at the special introductory price of $345 until December 22, 2019! After that, you can buy it for $459.

Student? Teacher?

If you’re a student or a teacher, buy the full educational version of FontLab 7 for just $229. You can use the app for any purpose (including creation of commercial fonts), even after you leave the school.

If you’re a student or teacher and you already own a 1‑year educational FontLab VI license, or you’re new to FontLab — you can buy a new 1‑year educational license for FontLab 7 for just $89.

If you represent an educational institution (a high school, college or university), or you’re a group of students, buy 8 or more licenses at just $184 per license!

Hear the early adopters of FontLab 7!

Fábio Duarte Martins (Scannerlicker), designer of Optician Sans and Electrica, says of FontLab 7: “This baby is a rock-solid font development software, from design to engineering. Drawing is a joy: FontLab has the best drawing tools I’ve ever seen, and they just got better!”

Eduardo Tunni, designer of the Graduate variable superfont, says: “Great stuff! FontLab 7 is very stable. Congrats to the FontLab team.”

Dave Lawrence (California Type Foundry), designer of CAL Bodoni and CAL Zed, says “If you want to make more fonts faster and better and if you want to stay ahead of the competition, go with FontLab 7. My favorite parts of FontLab are auto layers, glyph masters and FontAudit. Using these features, I was able to create an average of 167 ornamental glyphs (in two weights) per day. By automating much of the grunt work, I think I’m doing some of the best work of my life.”

Vassil Kateliev, (Karandash / The FontMaker), co-designer of the Bolyar font family and developer of TypeRig, sums FontLab 7 up: “I’ll put it simply: FontLab 7 is superb! What’s not to love? The best vector engine for drawing and manipulation I have seen in ages. Rock-steady interpolation engine that is also compliant with variable OpenType fonts.”

Start with an excellent multi-paradigm approach to type design – old-school outlines, element references, components, auto-generated glyphs, or all of them combined. Sprinkle on top a handful of nifty tricks to speed up your work like auto layers or auto OpenType feature generation. Combine that with a super powerful Python based API (that I actually use a lot). Let’s not forget multi-platform: a fact that I consider very important. The new FontLab is an endless ocean of opportunities — you get an app for every taste and workflow,” he continues.

Kateliev concludes: “FontLab 7 finally feels really mature. Don’t take my word for it — obviously I am a devotee. Just give it a try, and see for yourself!”