Multi‐color fonts are still bleeding edge technology, so no one format is universally (or even widely) supported. But they do work today in a number of places, especially if you can make a font that supports several of the competing would‐be standards! This YouTube video by our own Adam Twardoch shows how to create multi‐color fonts across multiple color formats, with existing FontLab apps.
Currently we support:
- Microsoft OpenType COLR/CPAL fonts
- Adobe/Mozilla (Firefox) OpenType SVG
- Apple sbix
I just added a big article to our Knowledge Base with step‐by‐step how‐to instructions for both Mac and Windows users!
Read the article here!
There are a host of utilities that can make the font making and editing experience easier and faster. Some work directly in FontLab Studio via the Python scripting language, and others are separate items. Here is how to install Python‐related tools, and the many scripts and things they enable, to work with FontLab Studio 5.1+ on Mac OS and Windows. (If you are using earlier versions, please upgrade to 5.1.x Mac and 5.2.x Windows. Upgrades from 5.0 and higher are free!)
You do not have to be a programmer to make use of these tools! While folks who are at least moderately geeky and technical will get more out of most of these tools, almost anybody who can use FontLab Studio will find value in tools such as TTX, and benefit from some scripts they can run “out of the box.” Once you get this stuff set up, you can install more macros/scripts just by dragging them to the FontLab macros folder, and restarting FontLab Studio.
David Bergsland’s first webinar on troubleshooting font creation in FontLab Studio got a standing ovation from the attendees! David’s no‐nonsense designer‐friendly approach is accessible to all. Now he is following it up with “Advanced Font Creation,” Tuesday June 10 at 9:00 am Pacific / noon Eastern / 18:00 CEST. Register now!
As Jim Gallagher, our tech support and instructional guru says, “Most designers won’t give these kind of tips away, but Dave spills the beans! You will wonder why you never saw some of these things before.”
Attendance at David’s previous webinar is not at all a pre‐requisite for this follow‐up with even more information and ideas about how to make font creation easy. However, you can still register for that previous webinar even now, after the fact, and watch the recording.
There will be a live Q&A session at the end of the webinar, when you can ask David about the things that puzzle you!
David Bergsland has been a type designer for 20 years, and is the author of both Fontographer and FontLab Studio editions of Practical Font Design. Read more about him.
There are a limited number of seats available for this webinar, so don’t be disappointed—register now!
Thank you to all of you who took our latest survey — over 650 of you! We have been crunching numbers and reading your comments and feedback religiously.
Soberana typeface sample
We gave away three big prizes via random drawings!
Our First Prize winner is Dimitri Fontaine of Graphic Identité in Nantes, France. They are a design agency specializing in identity, branding and packaging, as well as industrial design — and yes, that really is his last name. They use Fontographer, more to modify, improve and complete existing fonts than design entirely new ones. They will use the prize to get an additional license for Fontographer, including future upgrades.
Our Second Prize winner is Iván Moreno of México. Ivan already uses FontLab Studio, so he is going to save his prize to use to upgrade to version 6 when it comes out. He looks forward to produce commercial and professional fonts for custom and retail use when he finishes his Master’s degree in type design from Centro de Estudios Gestalt, Veracruz, México (Maestría en Diseño Tipográfico), and says this prize is “just what he needed.”
Our Twitter Prize (for somebody who tweeted about the survey) goes to Cristóbal Henestrosa of Estudio CH, also in Mexico. Cristóbal is a graphic designer and an established type designer, having been recognized in the TDC competitions in 2008 and 2010. His last typeface was Soberana, a custom typeface for use throughout the Mexican government, created in collaboration with Raúl Plancarte, using FontLab Studio. He will also use his prize for a future upgrade.
Although we didn’t get to 1000 responses to trigger the grand prize, we were happy to see so many responses. Thanks again to everyone who participated and gave us useful feedback!
This document describes an example process of generating hinted fonts with PostScript or TrueType outlines using automatic and/or simple manual steps in FontLab Studio 5.
FontLab needs to learn more about our past, current and future customers, and their software needs. We are offering some awesome prizes to induce you to take our survey. Click here to TAKE SURVEY, WIN PRIZES. The survey closes at 11:59 pm GMT, Wed April 17.
GRAND PRIZE, LIFETIME WINNER: If we get 1000+ responses, we will draw from all survey respondents a winner who will receive, for the rest of their life, a free single‐user license to any and all FontLab software products they want, including future upgrades and products we haven’t even imagined yet!
FIRST PRIZE: As long as we get 250+ survey responses, we will draw from all survey respondents a winner who will receive, for the rest of their life, a free single‐user license to any one FontLab product, including future upgrades. (In the event development on a product some day ends, we will happily substitute a license for a similar FontLab product.)
SECOND PRIZE: We will draw from all survey respondents a winner who will receive a free single‐user license to any one FontLab product of their choice, or upgrade for any FontLab product. (Yes, for those of you waiting for next versions, the winner may defer collecting until a future release, if desired.)
TWITTER PRIZE: Every person who tweets a link to this blog post with some encouragement to take the survey, using the hashtag #fontlabsurvey, will be entered into a draw for a free single‐user license to any one FontLab product of their choice, or upgrade for any FontLab product. (Yes, for those of you waiting for next versions, the winner may defer collecting until a future release, if desired.) If you think this sounds remarkably like the Second Prize above, you would be correct. 🙂
There are still spots left! Just over a week until our intermediate‐level type design workshop with FontLab Studio 5 right after Typography Day in Pune India, with a coalition of expert font folks teaching. Join me, Adam Twardoch, Ted Harrison, Pradnya Naik and special guest Prof. Mahendra Patel for three days of intense font‐making goodness!
In our first cyber Monday sale ever Fontlab is going to cut the price of TypeTool, our basic font editor, by half. Now’s your chance to get a great holiday present for budding type designers — kids, friends, family, etc.- (or for yourself) at the lowest cost ever. For just US$47.99 you’ll get the full Macintosh or Windows version of the font editor used by hundreds of colleges and universities — and with our standard 60‐day money back, can’t lose, guarantee.
On Monday, 2 December 2013, just click here to place your order at this fantastic price!
All current FontLab products have been tested with Mac OS X 10.9 (Mavericks). No problems were discovered by our staff, and there have been no reports of problems from any of our customers.
Specifically, the following “Mac Intel” products are fully compatible with Mac OS X 10.9 Mavericks:
- FontLab Studio 5.1.4
- Fontographer 5.2.3
- TypeTool 3.1.2
- TransType 4.0.0
If you’re using an older version, we recommend updating or upgrading it.
The following products work properly in Mavericks when using the “Lion Compatibility Pack” edition of the product:
Other products and older versions of the products listed above are not or may not be compatible.