Better Glyph Point Placement for Better Fonts
with Thomas Phinney
Tuesday 9 February 2016 9:00 am Pacific / noon Eastern / 18.00CEST FREE Live Webinar Register now
Learn how to construct better outlines for fonts, and why it matters.
Make your fonts render quicker and better on screen, and your glyphs easier to edit.
Discover why so many designers think they have points at extrema when they don’t.
Note: to submit a font for live feedback during the webinar, write to “info” at the obvious domain (fontlab.com).
Why outlines matter
What to do
Tools for Better Outlines
LIVE feedback and example outline corrections on several real users’ fonts
Thomas Phinney is a type designer, educator, and font geek who used FontLab for 20 years before joining FontLab in 2014, and becoming President in 2015. Previously he worked at Extensis (web fonts and font management tools) and Adobe (product manager for global fonts and typography). Thomas teaches typeface design with Crafting Type, and has been a repeat guest lecturer for MA Typeface Design at the University of Reading. He is also secretary of ATypI, the international typography association. His typeface Hypatia Sans is an Adobe Original with over 3000 glyphs per font.
There are a limited number of seats available for this webinar, so don’t be disappointed: Register now
It’s webinar time! We hit max capacity of 200 registrants last time we did this webinar, and we want a better recording of it, so we are repeating it! (Already at 90 registrants from email announcement.)
Please join us for an exciting new free webinar for beginning type designers!
Typerobics: Type design exercises
with Fábio Duarte Martins
Tuesday 16 June 2015 9:00 am Pacific / noon Eastern / 16.00GMT / 18.00CEST Register now!
The video from the webinar is now available!
Are your letters feeling out of shape? Do you aspire to win the regional kerning championship? Typerobics is a type‐making workout régime intended to shape up your Bézier biceps. Every sport requires exercise, and so does type design. Typerobics is your type design fitness plan: pick a word, pick a typographic style, draw that word in under 40 minutes‐then repeat at least three times a week.
Superfamilies of closely related typefaces have become a common feature of typography in the twenty‐first century. Sumner Stone talks about their history and conceptual background, and examines and discusses examples from his own work and that of other type designers, both historical and contemporary.
Multi‐color fonts are still bleeding edge technology, so no one format is universally (or even widely) supported. But they do work today in a number of places, especially if you can make a font that supports several of the competing would‐be standards! This YouTube video by our own Adam Twardoch shows how to create multi‐color fonts across multiple color formats, with existing FontLab apps.