Better font outline construction free FontLab webinar

Better Glyph Point Placement for Better Fonts
with Thomas Phinney
Tuesday 9 February 2016
9:00 am Pacific / noon Eastern / 18.00 CEST
FREE Live Webinar
Register now

Learn how to construct better outlines for fonts, and why it matters.
Make your fonts render quicker and better on screen, and your glyphs easier to edit.
Discover why so many designers think they have points at extrema when they don’t.

Note: to submit a font for live feedback during the webinar, write to “info” at the obvious domain (fontlab.com).

Webinar Agenda

  • Why outlines matter
  • What to do
  • Issues
  • Tools for Better Outlines
  • LIVE feedback and example outline corrections on several real users’ fonts
  • Q&A

About Thomas

Thomas Phinney is a type designer, educator, and font geek who used FontLab for 20 years before joining FontLab in 2014, and becoming President in 2015. Previously he worked at Extensis (web fonts and font management tools) and Adobe (product manager for global fonts and typography). Thomas teaches typeface design with Crafting Type, and has been a repeat guest lecturer for MA Typeface Design at the University of Reading. He is also secretary of ATypI, the international typography association. His typeface Hypatia Sans is an Adobe Original with over 3000 glyphs per font.

There are a limited number of seats available for this webinar, so don’t be disappointed: Register now

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Thomas Phinney

Thomas Phinney is CEO of FontLab. Previously he worked at Extensis (web fonts and font management tools) and Adobe (as product manager for global fonts and typography). Thomas is also a type designer, teacher, writer, and consultant on fonts and typography. He has been consulted by Apple, Adobe, Microsoft, Oxford University Press, a “big three” US auto maker, the US Treasury Department, and PBS “History Detectives,” among others. He teaches type design with Crafting Type and has been a repeat guest lecturer for MA Typeface Design at the University of Reading. Since 2004 he has been a board member of ATypI, the international typography association. His typeface Hypatia Sans is an Adobe Original with over 3000 glyphs per font.

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