Joe Treacy will give our December webinar “The Fevered Brow of a Type Designer: Font Design from Concept to Completion”. In this webinar (Tuesday, 3 December at 11:00CST) Joe will take us through the steps of designing a font from beginning to end. He will describe the tasks of creating glyphs and building a typeface from a parts library. He’ll share his unique approach to setting the metrics for a font and make some suggestions on the final product target in various font formats.
If you ever wanted to get the benefit of experience (without actually having to go through the experience) this is your opportunity to look over the shoulder of a seasoned pro and see how the total font design process works. Joe’s presentation will give you the inside scoop on what it’s really like to prepare a commercial font from scratch.
There is a small fee (US$24.99) for this webinar and we are limited in the number of places, so sign up early by clicking here.
Joe Treacy is President & Director of Typography and founder of Treacyfaces, Inc. having designed and sold original and innovative fonts globally since 1978, and online continuously since 1993.
Treacy has designed hundreds of typefaces sold to thousands of firms globally. He was a recipient of Typefaces of the Year Award alongside Adobe in 1990, in addition to receiving prestigious gold and Effie awards for his advertising communications work.
Joe’s work in design and typography has been featured in The New York Times. He lectures regularly on electronic publishing, quality typography and design. He’s written articles on type and design trends for major magazines such as HOW, I-D Industrial Design, Verbum and Personal Publishing.
From Concept to Completion
November’s webinar will be a freebie. We’ve persuaded Jim Kidwell of Extensis to expand on the talk he recently gave at TypeCon: “The Evolution of Font Licensing Comprehension in the Creative Community”. In this webinar (Tuesday, 12 November at 11:00PST) Jim will get into the heads of font licensees and see what they really want. Fortunately he has some very interesting data from a survey on this topic that Extensis did of its users.
Whether you’re a font maker or a font user you’ll want to hear about
- what font EULA’s could and should do for you.
- how web fonts are changing the game.
- how the typographic community can engage the rest of the creative community in the licensing discussion
Jim will share his analysis of the survey results and his own experiences and opinions. You can chime in with your own questions and observations as well.
As a writer, speaker and general software nerd, Jim Kidwell evangelizes the effective integration of fonts in creative workflows. Jim has shared his unique perspective with audiences at SXSW, Future of Web Design, WebVisions and more.
The Evolution of Font Licensing Comprehension in the Creative Community
No payment, just
Click here to register for the Webinar
12 Nov 2013, 1100PST/2pm EST/2000CEST
Our “Hinting” webinar this last Tuesday went off very well, with several of the attendees asking for more. Well you can’t reduce ten years of experience into just a single hour, so Monika will be back early next year with another hinting webinar – this one on more advanced topics.
Many people have asked about the webinar recordings. Yes, they are available. They are not up on the website yet, but they are available by direct link.
For the “Beyond Basics” webinar, people who have already registered can browse to
and you will have immediate access to the recording.
For those who have not registered you will need to register first at
and then you will be directed to the same URL as above to view the recording.
Similarly for the “Hinting” webinar, registrants can just go directly to
while others can register first at
and then go to the recording.
P.S. Remember if you have trouble registering that the system doesn’t tolerate popup blockers well, especially in Safari or Chrome. You might want to try registering using Firefox or IE.
Greetings from Amsterdam! The annual ATypI conference kicked off here yesterday with near record attendance. We haven’t seen a crowd this size since the early 00s.
Day 1 had three tracks – one on non-Latin type and another on technology – and an all-day workshop on Indic type design. Unfortunately I didn’t arrive until the afternoon, but by that time the meeting rooms were full and the vibes were good. In the latter part of the afternoon Frank Griesshammer explained new changes in the Adobe kern feature and a bunch of neat scripts for font manipulation; Adam demonstrated colour fonts and their use in overlays using the new version 4 of TransType; and David Lemon and Werner Lemberg talked about the ongoing development of the Postscript rasterizer for mobile platforms.
In the evening we gathered in the Aula, Oude Lutherse Kerk, a beautiful historic church a few blocks away from the hotel, for some short presentations about interesting items from the EYE archives.
Day two also had three tracks: science, history/education, and workshops/meetings. The science track was mostly about legibility research. Albert Jan-Pool talked about the new DIN 1450 signage standard just out in April. It seems that the new gold standard for height reference in legibility research is visual angle of the x-height. No more fussing around with point sizes and the like. If you look at signage from this point of view the glyphs are actually smaller than much fine print. Takeaway: they have to be optically scaled to be more legible, just like other small print.
Continuing with the theme, Ann Bessemans told us about her development of Matilda, a font for children with poor vision. Significant finding: kids with visual impairment read fonts better if they have slightly more heterogeneity of rhythm than normal. The opposite of normally sighted children.
Sofie Beier and Mary Dyson showed their legibility research technique called RSVP, which they used with a new font called neutral test designed by Sofie to determine whether and which font design changes resulted in better legibility (Bold is worst). Sofie has even written a book on the subject, “Designing for Legibility”.
Nadine Chahine presented similar legibility research on Arabic Naskh script and came to the conclusion that increasingly complex (and beautiful) scripts actually decrease legibility.
At the end of the day we all adjourned back to the Oude Lutherse Kerk to hear Alice Rawsthorn give a great talk on where design meets life. Pithy quote: “Design can empower, or disempower, us in every aspect of our lives.” TDC then awarded Gerrit Noordzij their medal (to standing ovations) and finally it was off to the Bijzondere Collections for drinks and the opening reception.
Yes, it took only about 170 minutes from the time the announcement hit the web to fill all 23 of the available slots in Monika Bartels’ upcoming Fontlab tutorial webinar on hinting (“Hinting: The Design After the Design” on Tuesday, October 8, 11:00 AM). Who knew there was such a thirst for this arcane knowledge?
Certainly not us. We figured we might have trouble getting a couple dozen interested people together.
Of course we had a hint (pun intended). Just a week or so earlier Jimmy’s “Beyond the Basics: Font Editing Tips and Techniques” webinar had sold out in 9 hours. We sense a pattern.
So in view of the obvious demand we’re going to increase the available seats (retroactively even!) at our webinars. We were limited to 25 (but had to save a couple spots for the host and/or presenter), but now we’ve upped it to 200.
That means that if you tried to register for the hinting webinar but were told it was already full, or had problems with registration and it didn’t “take”, then you now have a “Get out of jail free” card. Just go back to the registration URL (http://www.anymeeting.com/PIID=E958D688864638) and sign up and it should let you in with no problems. As long as we stay under 200 people 🙂
This even applies to people who wanted to get into Jimmy’s first webinar (“Beyond the Basics – Font Editing Tips & Techniques” on Tuesday, September 17). Of course you can’t go back in time and participate, but we did make a recording. Until today you couldn’t view the recording because it was limited to only the original participants. But our new 200 limit now applies to that recording as well, so you can go back to the original registration URL (http://www.anymeeting.com/PIID=E958D980844F3D) for that webinar and sign up and you’ll get to see Jimmy explain all about the optical illusions of type design and a bunch of other neat stuff.
Just about an hour ago I sent out the invitations for Jimmy’s next webinar, “Son of Beyond Basics”. In this sequel der Fontmeister will go a bit further into the mysteries of type design and reveal even more tips and techniques – and answer questions. It will probably be about half new stuff and half a recapitulation of the most important points from the first Beyond Basics webinar. The registration URL is http://www.anymeeting.com/PIID=E958D688854F3D
One caveat about registering: AnyMeeting (the webinar system) seems to have a little problem with some browsers – especially if popup blocking is enabled. So if you’re using Chrome or Safari it would be a good idea to turn off the popup blocker. And if that doesn’t work then try Firefox or Internet Explorer.
All current FontLab products have been tested with Mac OS X 10.9 (Mavericks). No problems were discovered by our staff, and there have been no reports of problems from any of our customers.
Specifically, the following “Mac Intel” products are fully compatible with Mac OS X 10.9 Mavericks:
- FontLab Studio 5.1.4
- Fontographer 5.2.3
- TypeTool 3.1.2
- TransType 4.0.0
If you’re using an older version, we recommend updating or upgrading it.
The following products work properly in Mavericks when using the “Lion Compatibility Pack” edition of the product:
Other products and older versions of the products listed above are not or may not be compatible.
Those who left early on Sunday (not too many judging from how full the ballroom is) missed some excellent presentations on the modern use of type – i.e. typography rather than type design. John Berry, Mark Barratt, Claus Eggers, and Nick Sherman gave us some very interesting insights about the design of books, websites and “content” in general on the plethora of electronic devices available now and in the future.
A few tidbits;
– URLs as a substitute for page numbering
– rollover flyouts for marginalia
– Scripta, The Typographic Institute (John’s new project: www.typoinstitute.org)
– the conversational document
– dynamic type format
I believe all the talks were recorded and I heard some mention in the board meeting of getting these recordings (and others from previous meetings) into a form and place where they will be accessible to members. Let’s hope it happens.
It’s official – the 2014 ATypI conference will be held in Barcelona, Spain. The dates are September 17-21. The first two days will be at the BAU School of Design and the last three at the Museu del Disseny (Design Museum). The museum has an auditorium capacity of 350, so there will be a limit on number of attendees next year. Register early 🙂
After we published the recording of our first webinar, David Vereschagin contacted us with the following comment:
Jimmy Gallagher commits a serious Fontlab error when attempting to demonstrate letterspacing and setting sidebearings in his “Beyond the Basics: Font Editing Tips and Techniques” webinar. (This starts at about the 50 minute mark in the recording.) He fails to remember that putting /H into the metrics window in Fontlab will not yield a display of a slash and an H, but simply an H itself. When he inputs H/H/H he thinks he is showing how his spacing system works, but is only showing a series of Hs. Worse, when trying to show the letterspacing of HOH he claims that the sidebearings on O are the source of the letterspacing problem, when it’s clearly the left sidebearing of the H that is off. Everyone who attended that webinar or purchased the recording is owed an apology and a correction.
Thanks! I certainly do apologize for the confusion. Using the slash glyph as a “spacer glyph” was possible in Fontographer 5.0 and earlier, but you won’t get away with that so easily in FontLab Studio or the newest Fontographer 5.2. Rushing to finish and trying to toggle between FontLab Studio and Fontographer tripped me up. Thanks so much for catching this — we can always use comments like this so that we can do better next time!
And here’s what happened in more detail…
OpenType Layout features allow for orthographically correct display of complex scripts such as Arabic and Indic and provide a mechanism for the user to apply advanced typographic formatting to text. They are used in the SFNT
This document contains a useful classification of OpenType Layout feature tags. It is based on the OpenType spec version 1.6, with some additional entries about removed features and Microsoft-only Math features related to the
MATH OpenType table.
This document is very technical in nature, and is primarily aimed at software developers who wish to implement user interfaces for applying OpenType Layout features in applications.