FontLab VI 6.1.4: open and export .glyphs files
FontLab VI 6.1.4 adds high-precision segment editing, a snapping Knife, smarter glyph deletion — and, the headline, the ability to open and export .glyphs files on both Mac and Windows.
Major improvements¶
- Edit segments directly with high-precision dragging.
- Add nodes, break or slice contours with an improved snapping Knife.
- Kern more efficiently with improved keyboard shortcuts.
- See at a glance which Font window cells hold composites or auto layers.
- Delete glyphs and decide what happens to their composites and auto layers.
- Export OpenType PS (
.otf) fonts with better hinting. - Export OpenType Variations (
.ttf) with fewer limitations.
Collaborate via .glyphs files¶
FontLab VI already moves between tools easily: it opens and exports .vfb (FontLab Studio 5, Fontographer), .designspace and .ufo (Superpolator, RoboFont, FontForge). The gap was Glyphs.app — VI could read .glyphs files but not write them.
That changes here. FontLab VI 6.1.4 exports .glyphs files and opens them far more faithfully, on Mac and Windows alike. The conversion has limits, but you will walk a long way before you hit them.
Export is beta, so the Glyphs profile is hidden by default. Turn it on under File > Profiles (tick the blue checkbox next to Glyphs, click OK), then choose the Glyphs profile in File > Export Font As.
Other improvements¶
- Reach common contour operations from the Node panel.
- Snap guides to other objects, and turn them into hints and zones.
- Measure thickness quickly with
Gand drag. - Tap
\to make up/down moves italic or upright, for reliable italic metrics linking. - Show anchor clouds only for selected anchors.
- Tap
Escfor a clean view in Metrics and Kerning modes. - Optically separate imported artwork more flexibly.
- Zoom in and out more easily in Glyph and Font windows.
- Remove Overlap while leaving unaffected nodes untouched.
- No more vanishing kerning, plus other bug fixes.
Demo mode¶
When the FontLab VI trial expired, you used to be stuck at the Activation screen. Now the app switches to demo mode instead. In demo mode you can open any font and explore freely — you just cannot save, export, print, or copy contours to other apps.
That makes VI a capable font viewer. Open and proof fonts made elsewhere — TrueType variable fonts, color fonts of every flavour, development formats like .vfc, .vfj, .vfb, .fog, .ufo or .glyphs. Check curve quality and curvature, test interpolation, inspect kerning and OpenType Layout features, run contours under FontAudit, and see how automatic master matching behaves. On the Mac, you can even check hinting in the genuine Windows ClearType rasterizer via the TrueType Hinting tool.
When you do need to save and export, the buy button is one click away.