FontLab 8.2 lands with around 250 changes on top of 8.0 — a consolidation release that touches every corner of the app, from the Sketchboard to the export dialog. Drawing tools get smoother handles and snappier strokes; kerning learns to read right-to-left; the COLR format reaches v1; Python moves to 3.11; and a quietly redesigned UI makes large fonts feel lighter to work with. Free for FontLab 8 owners.
Variable fonts pack an entire type family into one file, letting users slide continuously between weights, widths, and other axes rather than jumping between predetermined styles. FontLab 8 treats variable font creation as a first-class workflow, not a post-production step. Here’s what the “Families & variation” chapter of the What’s New documentation covers.
Gunnlaugur SE Briem taught type design at the Royal Academy of Fine Arts in Copenhagen in 1996. His notes from that course — precise, practical, free of mystification — have been republished with permission on the FontLab documentation site. Here is a distillation of his opening chapters on why you’d make a font and what the basics actually require.
Two years into FontLab 7, users had a clear message: the drawing engine is excellent, the variable font support is solid, now make the rest of the application match. FontLab 8, shipping today, is our answer.
Apple’s macOS 12.3 Monterey update broke all previous versions of FontLab 7 by removing the system Python 2.7 that FontLab depended on. FontLab 7.2.0.7644 is a free patch that restores compatibility — macOS 12.3 users need to install a bundled Python 2.7 package alongside the app. A buggy intermediate build (7650) that made glyph fills transparent was withdrawn; 7644 does not have that problem.
PostScript Type 1 fonts are on their way out. Adobe is ending Type 1 support in Creative Cloud applications in early 2023, and Apple has signalled the same direction in macOS. If you have a library of Type 1 fonts — and many working designers do — now is the time to convert them to OpenType.
This 19-minute presentation by Adam Twardoch, delivered at ATypI Tech Talks 2021, goes beyond building variable fonts to the harder question: making them good. It covers quality assurance, interpolation checking, and the tools in FontLab 7 and related applications that help catch problems before a variable font ships.
FontLab 7 launched in December 2019 with over 250 new features. Twelve months later, it has rather more than that. Here is what the 2020 update cycle actually delivered — not counting FontLab 7.2, which has its own post.
Spacing is the invisible work that determines whether a font feels effortless or labored to read. This five-minute tutorial from Dave Lawrence’s FontLab 7 series strips the topic down to its essentials: what sidebearings are, how to set them in the metrics window, and how to evaluate spacing visually as you work.
Most type designers don’t draw directly in the font editor — they sketch in pencil, refine in Illustrator or Affinity Designer, then need to get that artwork into FontLab cleanly. This eight-minute video from Dave Lawrence’s FontLab 7 series shows exactly how.
FontLab 7.2 is a free update with 120 new or improved features. The headline: interpolation now runs 30× faster. New tools include Rotate, Scale, and Slant; an adaptive freeform grid with Suggest Distance; variable and attached components; visual OpenType feature proofing; and Microsoft VOLT integration. Existing FontLab 7 users get it free; FontLab VI users can upgrade for $99.
FontLab 7.1 landed in March 2020 as a free update to all FontLab 7 users, delivering over 70 new and improved features and 80 fixes across five point releases between March and August 2020. The headline additions — ink traps, harmonized handles, looped corners, and quick measurement — gave designers finer control over node behavior and optical geometry than any prior version.
FontLab 7 is a major upgrade to FontLab VI, arriving after a summer and autumn of concentrated work, with more than 250 new features, fixes, and improvements.
macOS 10.15 Catalina drops all 32-bit app support, which means FontLab Studio 5, Fontographer 5, TypeTool 3, and BitFonter 3 for Mac will not run on it — and porting them to 64-bit is not feasible. If you are on Catalina, your options are CrossOver Mac 19 (run the Windows versions via a thin emulation layer), a virtual machine running an older macOS or Windows, or upgrading to the 64-bit FontLab 7.
FontLab VI 6.1.4 adds high-precision segment editing, a snapping Knife, smarter glyph deletion — and, the headline, the ability to open and export .glyphs files on both Mac and Windows.
We have released Mac updates for FontLab Studio 5 (5.1.6), TypeTool (3.1.3) and Fontographer (5.2.4), fixing font open/export and copy-paste problems on recent macOS releases.
FontLab VI 6.1.3 is faster and leaner — up to 2× quicker to open and save, using up to 40% less memory — with sharper editing, better class and feature handling, and Sketchboard text frames.
Variable fonts force you to think in multiple dimensions at once. This four-minute video shows exactly how to set up a design space with axes and masters in FontLab VI. It gives you a concise, visual introduction to the core concepts behind variable font production.
This two-minute demo of the built-in ScanFont feature has over 40,000 views. It earns that attention by showing something genuinely useful in record time. You scan or photograph hand-drawn letterforms, paste them into FontLab, and the software traces them into editable outlines.
FontLab VI 6.1.2 shipped today. That made twelve updates in twelve months after the first public version of our new font editor.
FontLab VI 6.1.2 adds printing, synchronized text across windows, a Tables panel for custom OpenType tables, and a faster Classes panel.
DTL OTMaster 7.9 adds support for variable OpenType fonts. This includes the fvar, gvar, CFF2, STAT, HVAR, and MVAR tables. It includes a new Proofing Tool for printing and exporting PDF specimens, and a Side-by-Side Viewer that shows variation instances.
Available for macOS, Windows, and Linux. A full license is US$228. Upgrades from previous versions are US$57.
FontLab VI 6.1 adds three things type designers had been asking for: real, standards-compliant components, a Font window sidebar that filters glyphs by script and category, and metrics expressions that link spacing across glyphs, layers and masters.
FontLab VI 6.1 arrived in October 2018. It added standards-compliant components, a Font window sidebar for glyph filtering, and linked metrics expressions.
In September 2018, FontLab ran three free FontLab VI workshops at the ATypI Antwerp conference — two introductory sessions in the morning and an advanced one in the afternoon.
FontLab VI 6.0.9, together with the previous 6.0.8 update, brought a batch of editing and export improvements. Both were free updates.
FontLab Studio 5 was a workhorse. It shipped in 2004 and carried a generation of type designers through the OpenType transition. The app aged gracefully, right up until it didn’t. On 7 December 2017, we replaced it.
A compatibility note for owners of the older apps: FontLab Studio 5, TypeTool 3, and TransType Pro 3 had real problems on macOS 10.13 “High Sierra” and 10.14 “Mojave.” Here is what broke and what to do about it.
A quick status report from the Public Preview period: FontLab VI was close to done, the bug list was short, and Variable Fonts were the last big feature going in.
Newer FontLab VI builds require macOS 10.10 Yosemite or later. Earlier Public Preview builds ran on 10.9 Mavericks; that support is ending.