Spacing is the invisible work that determines whether a font feels effortless or labored to read. This five-minute tutorial from Dave Lawrence’s FontLab 7 series strips the topic down to its essentials: what sidebearings are, how to set them in the metrics window, and how to evaluate spacing visually as you work.
Most type designers don’t draw directly in the font editor — they sketch in pencil, refine in Illustrator or Affinity Designer, then need to get that artwork into FontLab cleanly. This eight-minute video from Dave Lawrence’s FontLab 7 series shows exactly how.
FontLab 7.2 is a free update with 120 new or improved features. The headline: interpolation now runs 30× faster. New tools include Rotate, Scale, and Slant; an adaptive freeform grid with Suggest Distance; variable and attached components; visual OpenType feature proofing; and Microsoft VOLT integration. Existing FontLab 7 users get it free; FontLab VI users can upgrade for $99.
FontLab 7.1 landed in March 2020 as a free update to all FontLab 7 users, delivering over 70 new and improved features and 80 fixes across five point releases between March and August 2020. The headline additions — ink traps, harmonized handles, looped corners, and quick measurement — gave designers finer control over node behavior and optical geometry than any prior version.
FontLab 7 is a major upgrade to FontLab VI, arriving after a summer and autumn of concentrated work, with more than 250 new features, fixes, and improvements.
macOS 10.15 Catalina drops all 32-bit app support, which means FontLab Studio 5, Fontographer 5, TypeTool 3, and BitFonter 3 for Mac will not run on it — and porting them to 64-bit is not feasible. If you are on Catalina, your options are CrossOver Mac 19 (run the Windows versions via a thin emulation layer), a virtual machine running an older macOS or Windows, or upgrading to the 64-bit FontLab 7.
FontLab VI 6.1.4 adds high-precision segment editing, a snapping Knife, smarter glyph deletion — and, the headline, the ability to open and export .glyphs files on both Mac and Windows.
We have released Mac updates for FontLab Studio 5 (5.1.6), TypeTool (3.1.3) and Fontographer (5.2.4), fixing font open/export and copy-paste problems on recent macOS releases.
FontLab VI 6.1.3 is faster and leaner — up to 2× quicker to open and save, using up to 40% less memory — with sharper editing, better class and feature handling, and Sketchboard text frames.
Variable fonts force you to think in multiple dimensions at once. This four-minute video shows exactly how to set up a design space with axes and masters in FontLab VI. It gives you a concise, visual introduction to the core concepts behind variable font production.
This two-minute demo of the built-in ScanFont feature has over 40,000 views. It earns that attention by showing something genuinely useful in record time. You scan or photograph hand-drawn letterforms, paste them into FontLab, and the software traces them into editable outlines.
FontLab VI 6.1.2 shipped today. That made twelve updates in twelve months after the first public version of our new font editor.
FontLab VI 6.1.2 adds printing, synchronized text across windows, a Tables panel for custom OpenType tables, and a faster Classes panel.
FontLab VI 6.1 adds three things type designers had been asking for: real, standards-compliant components, a Font window sidebar that filters glyphs by script and category, and metrics expressions that link spacing across glyphs, layers and masters.
FontLab VI 6.1 arrived in October 2018. It added standards-compliant components, a Font window sidebar for glyph filtering, and linked metrics expressions.
In September 2018, FontLab ran three free FontLab VI workshops at the ATypI Antwerp conference — two introductory sessions in the morning and an advanced one in the afternoon.
FontLab VI 6.0.9, together with the previous 6.0.8 update, brought a batch of editing and export improvements. Both were free updates.
FontLab Studio 5 was a workhorse. It shipped in 2004 and carried a generation of type designers through the OpenType transition. The app aged gracefully, right up until it didn’t. On 7 December 2017, we replaced it.
A compatibility note for owners of the older apps: FontLab Studio 5, TypeTool 3, and TransType Pro 3 had real problems on macOS 10.13 “High Sierra” and 10.14 “Mojave.” Here is what broke and what to do about it.
A quick status report from the Public Preview period: FontLab VI was close to done, the bug list was short, and Variable Fonts were the last big feature going in.
Newer FontLab VI builds require macOS 10.10 Yosemite or later. Earlier Public Preview builds ran on 10.9 Mavericks; that support is ending.
“Discontinued” and “deprecated” sound like the same thing. At FontLab they mean two different fates for an old product, and the difference matters if you depend on one of them.
FontLab VI Public Preview is now available for Windows, alongside an updated Mac build. It is free until the final app ships.
At the ATypI conference in Warsaw, Google, Microsoft, Apple, and Adobe jointly unveiled version 1.8 of the OpenType specification — and with it, variable fonts.
A new FontLab VI Public Preview for Mac is out, adding context menus, a Gallery panel for named shapes, faster glyph access, and italic-angle drawing.
FontLab VI Public Preview 2 (build 5844) is out for Mac, following the expiry of the first preview. We are still not calling it a beta.
Spacing is where type design lives or dies. In this 53-minute tutorial, Thomas Phinney walks through sidebearings, optical principles, and the practical workflow inside FontLab Studio 5.
Automation unlocks the real power of a professional font editor. In this 70-minute tutorial, Adam Twardoch introduces Python scripting inside FontLab Studio 5.
Back in 2014, color fonts were a brand new frontier. This 103-minute tutorial with Adam Twardoch was one of the first deep dives into how to actually make them.